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             The Re-Creation of the Cop Car Destruction Scene - Part I 
              “A Tribute to Henry Travers and Manuel Padilla, Jr.”
               
            
Every American  Graffiti fan knows this hilarious scene all too well and almost from the  time we formed Cruisin’ The Boulevard in 2005, we have dreamed of re-creating  it. Well, our dream  finally come true around 5am on Thursday, May 15, 2008. 
            For those of you who don’t already know, Henry Travers was  the film’s transportation manager. He was the “car boss” and was responsible  for having all of the specialty cars used in the film built according to George  Lucas’ specifications. He also drove the Deuce and the ’55 Chevy in the drag  racing scenes. He even stored the featured cars at his home in Sonoma,   California during the daytime and then had  them transported over to Petaluma  each evening for the filming. 
                 
                 It was our honor to become good friends with both Henry and  his wife, Jackie and if it weren’t for the fact that Henry took a detour down  that endless main drag in the great beyond back in August, 2006, he’d have been right  here with us helping to make this event happen. After all, it was Henry who set  up the 1961 Ford Galaxie 4-door sedan for its destruction in the movie! 
            Manuel Padilla, Jr. portrayed Carlos, the  shortest of the three Pharaohs in the film. His stature was the only thing  small about him for he was a kind and gentle man with a BIG heart of gold, and  we were so fortunate to have him here in Petaluma  at both of our 2006 and 2007 American Graffiti Salutes. Regretfully, he passed  away suddenly on January 29, 2008.  So Henry and Manuel, this was for you! 
            You may be familiar with Mythbusters episode where they  attempted to find out if the rear axle could really be pulled out from beneath  a car without special modifications. Of course, they found out it wasn’t  possible. Where did Mr. Lucas come up with the idea to include this scene in  the film? We’ve received correspondence from people who have told us it was  done elsewhere before the filming, suggesting that this was the source of his  inspiration, but only George knows for sure. Someday maybe he’ll share it with  us. 
            So, how do you pull the rear end out of a ’61 Ford Cop Car?  Well, first you crawl under the car and make some modifications to the manner  in which the axle attaches to the frame. You replace the gas tank with a small  one-gallon tank hidden under the hood and of course, you modify the drive train  just a bit. 
            Next you get a great big 10 wheel tow truck, the kind you  see hauling big rigs. It goes at the back of an empty lot, hidden in the  shadows so the cameras don’t see it and you block all of the wheels to help  keep the truck from moving. Then attach one end of a length of heavy duty steel  cable to the truck and the other to the axle of the cop car. Finally, find a  donut shop, grab a cop, put him in the driver’s seat and have some clown speed  by and yell out “Stand by for justice”. That’s all there is to it…well, not  quite, but you get the idea! That’s the way we did it on May 15, 2008 except for the donut shop cop. Art Mossi was our stunt driver. 
            Apart from re-creating this scene, what really makes it  unique and very special is that it took place in the exact same empty lot  were it was originally filmed in the summer of 1972. How cool is that! Thanks  to Richard Villa of Al Villa Builder, San Rafael,   California and his brother-in-law, Jim  Warren of Redwood Sign Company, Redding, California,  even the Jerry’s Cherries Used Car Lot façade was re-created in all its  glory! 
            You can find out all about our cop car by clicking here. 
            WHAT HAPPENED? Now that you know a little bit of history and all about our cop car,  
              CLICK HERE to read what happened on that unbelievably warm Petaluma morning.  
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